White Ironstone
White Ironstone
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 WHEAT CERES SHAPE ANTIQUE CHILD TEA SET LIDS WHITE IRONSTONE RAREST E Forster  US $645.00
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 1860 70s Antique White IRONSTONE Children TEA SET 21 Piece Elsmore Forster US $475.00
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 J G Meakin White English Ironstone 12 Wheat Hops Pitcher 1865 1882 Exc US $325.00
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 VTG York White Ironstone Chamber Pitcher Basin Bird of Paradise Apple Blossom US $289.95
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 JACOB FURNIVAL WHITE IRONSTONE COFFEE POT SERVER GRAPES 1850S ANTIQUE US $275.00
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 Ironstone Staffordshire England Blue White Covered Dish US $250.00
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 17 Royal Ironstone china white Turkey Platter Alfred Meakin England antique vtg US $350.00
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 Antique White ware Ironstone gold gilded footed pedestal casserole late 1800s US $249.00
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 Antique Davenport Cyprus Flow Blue White English Ironstone Mulberry Pitcher Exc US $242.25
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 Vintage 26 pcs JG Meakins English Colonial Sterling White Ironstone Dishes US $275.00 |
 ANTIQUE MASONS PATENT IRONSTONE CHINA BLUE WHITE CHINESE FIGURES PLATTER US $225.00
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 WHITE IRONSTONE JUG PITCHER STONE CHINAWARE STJOHNS QUEBEC 1877 1893 ANTIQUE US $220.00
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 Antique Staffordshire Lobelia Octagonal Covered Bowl Ironstone Flow Blue White US $206.99
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 Vintage Royal Staffordshire Stratford Stages Ironstone Brown White China Set US $199.99
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 Vintage Ironstone Blue White Oriental Onion Plate Creamer Sugar Bowl Japan 14 Pc US $199.99
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 English Blue Willow 18 Ironstone Blue White Serving Platter Decorative Dish US $195.00
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 Johnson Brothers White Ironstone TRACERY 16 Platter 1883 US $195.00
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 J WEDGWOOD WHITE IRONSTONE FLUTED PEARL TUREEN 1850 US $195.00
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 Antique 135 J Wedgwood White English Ironstone China Basin Bowl Centerpiece US $185.00
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 White Ironstone Red Cliff Grapes Pattern Soup Tureen Underplate 1952 US $175.00
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 Antique 13 5 8 JG Meakin White English Ironstone China Basin Bowl Centerpiece US $175.00
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 Antique 14 White English Ironstone Wilkinson Basin Bowl Table Centerpiece US $175.00
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 Vintage Red Cliff Ironstone Large White Soup Tureen Underplate Ladle US $175.00
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 LOVELY ROYAL VESSEX SWINNERTONS 37pc DINNER SET WHITE IRONSTONE C1960s US $157.71
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 Beautiful 19thC Mason Ironstone Milk Jug w Blue White Oriental Pattern US $156.00
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 Wonderful19thC Mason Ironstone Milk Jug w Blue White Chinoiserie Designs US $156.00
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Spode Woodland Plates
The bone china formula
During the 18th century many English potters have been striving and competing to discover the industrial secret with the production of fine translucent porcelain. The Plymouth and Bristol factories, and (from 1782-1810) the New Hall (Staffordshire) factory under Champion's patent, were producing hard paste or accurate porcelain similar to Oriental china. Inside artificial or soft-paste porcelain, imitating French development like Sèvres, silica or ground up flint was utilized within the clay to give it strength and translucency. The strategy was made by adding calcined bone to this glassy frit, for example inside the productions of Bow China works, Chelsea and Lowestoft, and this was carried on from at least the 1750s onwards. Soapstone porcelains further added steatite, known as French chalk, for example at Worcester and Caughley factories.
The bone porcelains, especially those of Spode, Minton, Davenport and Coalport, eventually established the standards for soft-paste porcelain which were later (soon after 1800) maintained widely. Although the Bow, Chelsea, Worcester and Derby factories had, just before Spode, established a proportion of about 40-45 per cent calcined bone inside the formula as standard, it had been Spode who 1st abandoned the practice of calcining or fritting the bone-ash with some in the other ingredients, and applied the basic mixture of bone-ash, petuntse (china stone) and china clay, which since his time has formed the technical physique of English porcelain, and to many other components in the world. A normal English paste may well be taken as 6 parts bone-ash, 4 components petuntse and 3.5 parts kaolin, all finely ground together. This is essentially the exact same as accurate porcelain but with the addition of a large proportion of bone-ash.
Josiah Spode I successfully finalized the formula, and appears to have been doing so between 1789 and 1793. It remained an industrial secret for some time. The importance of his innovations has been disputed, getting played down by Professor Sir Arthur Church in his English Porcelain, estimated practically by William Burton, and being extremely very esteemed by Spode's contemporary Alexandre Brongniart, director in the Sèvres manufactory, in his Traité des Arts Céramiques, and by M. L. Solon hailed as a revolutionary improvement.
Many fine examples in the elder Spode's productions were definitely destroyed in a fire at Alexandra Palace, London in 1873, where they have been included in an exhibition of nearly five thousand specimens of English pottery and porcelain. As the understanding in the work of the early potters depends in part about the study of actual specimens, the loss was both aesthetic and scientific.
The enterprise was carried on via his sons at Stoke until April 1833. Spode's London retail shop in Portugal Street went by the name of Spode, Son, and Copeland.
Spode "Stone-China"
After some early trials Spode perfected a stoneware that came closer to porcelain than any previously, and released his "Stone-China" in 1813. It had been light in physique, grayish-white and gritty wherever it had been not glazed and approached translucence within the early wares; later Stone-Ware became opaque. Spode pattern books, which record about 75000 Spode survive from about 1800.
In Spode's similar "Felspar porcelain", introduced for the marketplace in 1821, felspar was an ingredient, substituted for the Cornish stone in his standard bone china system, giving rise to his slightly misleading name "Felspar porcelain," to what is actually an really refined stoneware comparable towards the rival "Mason's ironstone", produced by Josiah II's nephew, Charles James Mason, and patented in 1813 Spode's "Felspar porcelain" continued into the Copeland & Garrett phase of the company (1833-1847). Armorial services were provided for the Honourable East India Company, 1823, and the Worshipful Company of Goldsmiths, c1824. Some of the ware employed underglaze blue and iron red with touches of gilding in imitation of "Imari porcelain" that had been launched on Spode's bone china inside the first decade of the century: the most familiar "Tobacco-leaf pattern" (2061) continued to be made by Spode's successors, William Taylor Copeland, and then "W.T. Copeland & Sons, late Spode".
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white ironstone pottery